Meet the Author!

Exciting news! I have been invited to deliver a series of author talks and book signings in November at a Middle School in Lenexa, KS!

The 8th Grade class will be studying the American Revolution; I will be sharing some thoughts on life during the Revolution, and giving them the opportunity to learn more through the eyes of Gideon Hawke and Ruth Munroe!

This is the first such event to which I have been invited, and I am very excited, because it goes to the core of why I started writing historical fiction: to help young people find an interest in American History!

Soon there will be much more to follow!

Robert Krenzel Author Facebook page: https://www.facebook.com/RobertKrenzelAuthor

Gideon Hawke Novels Facebook page: https://www.facebook.com/GideonHawkeNovels/

 

Cover Ideas: A Nest of Hornets

It doesn’t really have anything to do with winged, stinging insects!

In the winter of 1777 British forces, reeling from defeats at Trenton and Princeton, abandoned most of New Jersey. From their last remaining posts along the Raritan River in New Brunswick and the Amboys they had to launch foraging expeditions in the Jersey countryside; the Continental Army and New Jersey Militia resisted these expeditions so vigorously that one British officer described the experience as “walking into a nest of hornets.”

Gideon Hawke #3, A Nest of Hornets, is set during the “Forage War” in New Jersey. We find Gideon and his mates stalking the British through frozen woods, icy brooks, and snow-covered fields. We also discover that someone on the American side is forewarning the British about American plans. Will Gideon be able to find the spy, or will he walk into a trap?

I would love some feedback on potential book covers: recurring images in A Nest of Hornets include snow-covered fields and forests, snow-covered roads, and written messages. I have used Canva.com to develop 4 potential cover designs; Which do YOU like best?

Cover idea #1: anh-cover1

Cover idea #2: anh-cover2Cover idea #3: anh-cover3

 

Cover idea #4: anh-cover4

Please share your thoughts!

 

Musical Inspiration

Sometimes my imagination needs a jump start. Sometimes it needs some help keeping it “in the zone.” Sometimes it just needs a taste of the historical period I am writing about to keep the juices flowing. At times like these music is my source for inspiration. I know some writers prefer to write in absolute quiet, but not me!

I have managed to find a number of albums from Fife & Drum groups; these are excellent for taking me back to the Eighteenth Century. I find these especially useful during the action scenes, when Gideon Hawke and his mates are trading shots with the British or Hessians. While in the Army I participated in enough ceremonies to understand the power of martial music over a group of soldiers, so when I wrote one of my favorite scenes, the fight on Breed’s Hill (a.k.a. the Battle of Bunker Hill), I had The British Grenadiers playing on a continuous loop. The effect was so profound I included a snatch of the tune into the text, and I got in the habit of including the “rat-tat-tat” of the drums urging the British forward.  Of course, when I write scenes in which the Americans have the upper hand, there is no substitute for Yankee Doodle! That song was born as a British insult toward the American “Provincials” but was embraced by the Americans and became a symbol of American resistance. Many a British soldier fell on the battlefield to the accompaniment of Yankee Doodle.

But it’s not all fifes and drums, of course! I also have a couple of go-to contemporary (-ish) groups and artists whom I can rely upon to help me focus. I find that Lord Huron, with their sweeping instrumentals, smooth vocals, and gritty lyrics help me put my world aside focus on Gideon Hawke’s world. (I am listening to them right now, in fact!) What’s more, I can always count on their song She Lit a Fire to help me get in touch with Gideon’s feelings for Ruth. On the other hand, I think Brother brilliantly captures the emotions that men feel toward one another as they face hardship or combat together; that song reminds me of the relationship between Gideon and Andrew Johnston.

When I need to slow things down a bit, or feel especially inspired, Sarah McLachlan never lets me down. If nothing else I find that her incredible talent helps me to de-stress. When I am exploring characters and relationships, Sarah’s music helps me get in touch with a completely different set of emotions. She also throws in a few curveballs; her song Monsters was one of the inspirations behind the character of Kate Scott, who makes quite a splash in my forthcoming novel A Nest of Hornets.

Of course, it was not all fun and games during the Revolution. War takes a toll, and I find that many of the songs on the Dire Straits album Brothers in Arms evokes those feelings of war-weariness and loss. (Yes, I realize I just dated myself, and I’m OK with that!) I feel the title song brilliantly communicates the feelings of brotherly love in extremis.

There are many more, of course. Were someone to browse my musical selections I am sure the term “eclectic” would come to mind (or perhaps something a bit harsher). Whether it’s rock or reggae, Buffet or the Beatles, AC/DC or the Maytals, it all has a place, and I am certain that the flavor of the music comes through on the pages. I hope my readers enjoy the beat!

I am curious to hear what music inspires other authors, or if readers have favorite background music to accompany a good a good book. What say you?

 

Robert Krenzel Author Facebook page: https://www.facebook.com/RobertKrenzelAuthor

Gideon Hawke Novels Facebook page: https://www.facebook.com/GideonHawkeNovels/

Distractions!

I am very sad to report that I have done virtually NO WRITING in the past few weeks! Aaargghhh!

Life, and work, has happened. The past few weeks have been a blur of long hours at work on top of other commitments, and trifling things like keeping a roof over my family’s heads have conspired to keep me from banging away on the keyboard.

That said I have gotten a few things done in the distributions/marketing department:

  • I discovered that my local library has a “Local Author’s Program.” I filled out a few forms and am waiting on a copy of This Glorious Cause to come in so I can submit it and Times. With any luck I will at least get some local buzz and circulation.
  • I sent off a copy of Times That Try Men’s Souls as an entry in a notable book award contest. I somehow doubt anything will come of it, but it is free, and you can’t win if you don’t enter.
  • I checked off one of my pre-publication tasks on A Nest of Hornets: I asked my son’s French teacher to edit a few lines of French dialogue! It is a little scary relying on others to translate your words, so it is reassuring to have someone reliable double-check! At least in German I can fumble my own way through a few common phrases. My job would be easier if soldiers in the American Revolution commonly shouted “Stop or I’ll Shoot!” in Arabic or Serbo-Croat; I know how to say those things!
  • I have decided upon a few critical plot points for A Constant Thunder. Book 4 in the Gideon Hawke Series will most certainly include a defining moment in the relationship between Gideon and Ruth. We may also bid farewell to a couple of characters, while being introduced to a few others. At least one new character I am sure readers will love to hate!

I suppose that from a literary perspective the last few weeks have not been a total waste. Be that as it may, I definitely need to get a story or two out of my head and into digits!

Robert Krenzel Author Facebook page: https://www.facebook.com/RobertKrenzelAuthor

Gideon Hawke Novels Facebook page: https://www.facebook.com/GideonHawkeNovels/

Quill and Ink: What’s a Hessian?

Hessian soldiers have earned themselves a strange place in American history: often mocked as ruthless mercenaries or scorned as incompetent drunkards. In reality, they were neither. So who were they?

In the Eighteenth Century modern-day Germany was divided into many smaller states, often ruled by kings, dukes, electors, or landgraves. The Kingdom of Prussia, under Frederick the Great, is probably the most well-known, but there were many others. Largely agrarian in nature, and thus with poor tax bases, it was difficult for these small states to raise funds to support basic government functions, especially the standing armies needed to keep their rulers on their thrones. One marketable resource they did have was trained and disciplined soldiers. Since the Seventeenth Century the Landgraves of Hesse-Cassel, among others, had been “leasing” military units on a contract basis to foreign powers; Great Britain was one of their biggest customers.

 

A small, wealthy nation with a large navy but relatively small, far-flung army, Great Britain faced considerable difficulties in raising large armies on short notice. It was more economical to rent military units from agreeable German states. So, when the American colonies rose in rebellion and King George III resolved to crush the revolutionary upstarts, he turned to the German states for troops.

Great Britain signed treaties with several German states for the provision of troops in exchange for payment and, in some cases, defensive treaties. In exchange for the provisions of a corps of 12,000 troops guaranteed to fight together under a unified command, the Langrave of Hesse-Cassel received a defensive alliance and over £100,000 per year, plus a stipend (or “blood money”) for every soldier killed and every three wounded. Ultimately nearly 30,000 German soldiers served for the British in the Americas, hailing from Hesse-Cassel, Hesse-Hanau, Braunschweig (Brunswick), Anspach-Bayreuth, Waldeck, and Anhalt-Zerbst. The largest complement, and the first to arrive in North America, were the Hesse-Cassel contingent; hence forth all German troops fighting for the British were known as “Hessians.”

The units sent to America were led by professional soldiers, many with significant combat experience. The individual soldier were an eclectic bunch, many volunteers, some forcibly inducted (although typically only “foreigners” were impressed). Typically they were prepared and organized along Prussian lines, so training was hard and discipline fierce. Altogether they formed an effective fighting force. They did however, have some limitations.

British troops in America adapted effectively to American conditions. British officers often modified uniforms, tactics, and training in order to maximize their units’ effectiveness. For example they adopted open formations and tended to move quickly on the battlefield, jogging to close the distance to American troops, and relying heavily on the bayonet. The Hessian troops remained beholden to their princely rulers, who often forbade modifications to uniforms, training, and tactics that proven effective on the rolling plains of Europe, but which proved to be liabilities in the wooded hills and valleys of North America. The British tended to regard the Hessians as slow and inflexible. They were however, very efficient when they came to grips with the Americans.

On Long Island and Manhattan the Hessians earned a reputation for ferocity, with tales hessiantold of them pinning American riflemen to trees with their bayonets. In the assault on Fort Washington Hessian discipline and training proved devastatingly effective. Their reputation suffered a significant blow when an entire brigade of Hessians was captured at Trenton on January 26th, 1776. Contrary to myth, the Hessians in Trenton were not drunk. In fact, they were on high alert and patrolling actively; those not on duty were sleeping in their uniforms with weapons at their side. Washington was able to achieve tactical surprise due to a combination of good luck and fearsome weather, and the Americans’ aggressiveness prevented a coordinated response. The British command, and officer corps, was highly critical of the Hessians for the loss at Trenton, so it was with understandable satisfaction that the Hessian officers viewed the subsequent American capture of most of a British brigade at Princeton.

German troops fought throughout the American Revolution. When well-led they proved very effective, but like all soldiers their morale suffered when used incompetently. For the most part they did their duty well, fighting on the losing side in an unpopular war far from home. For many of them the strange, distant land of America would become their final resting place.

 

American Revolution.org > Hessians: http://www.americanrevolution.org/hessians/hessindex.php

Gideon Hawke Novels Facebook page: https://m.facebook.com/GideonHawkeNovels/

Juggling Projects

I have reached a dangerous and challenging time and place: the space between two novels!

Draft #3 of A Nest of Hornets is complete. My editor, and more importantly my wife, have given me some great ideas. Now I have a bit of fine-tuning to do before it is fully ready for publication. But in my mind, this story is nearly told. So my thoughts are drifting…

I have begun writing Gideon Hawke #4, A Constant Thunder. I am truly pleased with the 1000+ words I have thus far! And with my recent excursion to Saratoga is fresh in my mind I am full of ideas that are begging to be committed to paper. What to do?

The next few weeks will be fraught with tough decisions as I parcel out my precious writing time between two novels. The good news, I suppose, is that this is a pretty good problem to have!

Gideon Hawke Novels Facebook page: https://m.facebook.com/GideonHawkeNovels/

Historical Research: Books, Maps, Notebook, Sunscreen, and Bug Spray

What do you think of when you hear the term “historical research”? Many people would likely visualize a quiet library, or a stack of books, or even a computer monitor. I certainly use all of those, but when writing historical fiction I feel there is no substitute for visiting the scene of the action.

I have been fortunate in that at one point or another I have been able to travel to most of the sites I have written about, but my recent visit to the Saratoga Battlefield was by far the most satisfying visit for two reasons. First of all, the battlefield is well-preserved. The man-made structures have disappeared, and the vegetation has changed somewhat, but the topography is generally as it was 239 years ago. Secondly, I was able to thoroughly prepare for this visit as I had not prepared for visits to Trenton, Princeton, Washington’s Crossing, New Brunswick, and so on. That preparation was priceless.

Research 1

Tools of the trade

I had already read up on the Battles of Saratoga; there were many engagements in the Saratoga Campaign, but the “Battle” generally includes the actions on September 19th, 1777 (a.k.a. The Battle of Freeman’s Farm) and October 7th, 1777 (a.k.a. The Battle of Bemis Heights). Once I realized I would be able to make a trip to visit the site, I procured a topographic map of the area from My Topo. The My Topo site produced a map in a scale and format very familiar to me; through many years in the Army I used similar topographical maps to plan and navigate on several continents, so my “Saratoga Special” spoke to me in a very familiar language.

 

I read more, and used the nuggets of information in several books to better understand the timing and sequencing of events. By comparing my notes and the maps in the various books with my topographical map, I was able to narrow down the spacing: precisely WHERE various events occurred. The contour information and precise scale on the topographical map was critical here, as it helps make sense of lines of sight, ranges, and difficulties of the ground. When I thought I had it sorted out, I went so far as to sketch out the sequence of events on transparent overlays over the map, enabling me to visualize the ebb and flow of the fighting.

Then came the big day! Map, notebook, and camera in hand–and with generous applications of sunscreen and bug spray–I set out early to arrive at the Visitor’s Center as it opened. The center is small, and houses a limited but very nice collection of artifacts and dioramas, but I found the 20-minute LED Map presentation to be invaluable. Based on extensive studies of the battlefield and historical record, it corrected a few misperceptions and definitely enhanced my understanding of unit locations and the sequence of events.

Finally it was time to hit the road. I was able to follow trails and paths to find key locations

Author 6

Balcarres Redoubt

where the battle unfolded. It was truly humbling to stand on the very ground where men like Daniel Morgan, Simon Fraser, Enoch Poor, at thousands of others fought gallantly for their respective causes, and where so many gave the last full measure of devotion. I am especially indebted to park Ranger Douglas Bicket, who clarified several points and helped me understand how the field had changed, and had not, since 1777.

 

Being particularly interested in the actions of Daniel Morgan’s Rifle Corps, I focused on retracing their steps as best I could. The vegetation around what was Freeman’s Farm made it a bit difficult to fully envision what Morgan and his men saw on September 19th, but that was a revelation in itself. In that broken, wooded, ground I could see how Morgan’s men were able to fire the first shots of the battle and then run headlong into the might of the British Center Column. To my even greater delight I was fully able to reconstruct the events of October 7th, especially the approach to and assault upon the

IMG_5434

Looking up the slope toward the Hessian positions

Breymann Redoubt. The books may not all agree with my interpretation, but knowing what the Rifle Corps accomplished that day, and having studied and used terrain as a professional soldier, I found myself sliding around the northern flank of the redoubt, into a shallow draw, with a steep slope leading up to the location of the Jäger Outpost and Hessian Light Infantry positions. Standing at the base of that slope, with one of the National Park Service’s white markers just peeping over the top, I was absolutely certain this was the way a tactician as astute as Morgan would have led his men. After I scaled the slope and stood inside what had been the Jäger Outpost, I was even more certain this was the spot where Morgan’s men actually swarmed over the Hessian defenses, precipitating the collapse of the British and German line and sealing the fate of Burgoyne’s Army. Of course I can’t be sure I got it 100% right, but if anyone disagrees with my interpretation I’d happily meet them on the field and have a friendly discussion about it; I think the facts on the ground would speak for themselves.

IMG_5419

One of His Majesty’s cannon

 

Happily, the only hazards I faced during my visit to Saratoga were dehydration, sunburn, thorns, and bug bites, all of which I am happy to report I overcame. 239 years ago, for a few hours, that hallowed ground was a much more dangerous place. I will dedicate the fourth Gideon Hawke novel to memory of those, on both sides, who braved shot, shell, and cold steel on the fields of Saratoga.

My Topo: http://www.mytopo.com/

Saratoga National Park: https://www.nps.gov/sara/index.htm

Gideon Hawke Novels Facebook page: https://m.facebook.com/GideonHawkeNovels/

Quill and Ink: Why Linear Tactics?

One of the common cultural images of the American Revolution involves lines of men standing fifty yards apart and trading volleys. To the modern observer, one of the first questions that comes to mind is: “Why?” Why would people stand there like that? Well, as usual, it’s complicated.

The Battle of Long Island

First of all, there is the question of firepower. A well-trained Eighteenth Century musketeer could get off roughly four shots per minute, with an effective range of less than one hundred yards. Skilled commanders would hold their fire the enemy was within fifty yards (“…until you see the whites of their eyes!”), to maximize the impact of the first volley. That first volley was especially critical because black powder weapons belched out great quantities of smoke, obscuring the target. Furthermore, muskets quickly fouled and had delicate mechanisms (a lost or broken flint immediately turned a firearm into a club), so it was a case of diminishing returns.

It was also necessary to keep soldiers under control. When placing so many soldiers in such close proximity, with loaded firearms, for safety’s sake it was critical to control who fired when. Otherwise, “friendly fire” and accidental shootings would have been even more common than they already were.

The threat of cavalry attack also demanded tight formations. Large cavalry formations could quickly close the distance to enemy troops and use their swords and shock effect to break up infantry units. To repel cavalry charges infantry units learned to form tight, three-deep squares, using musketry and bayonets to keep the horsemen at bay.

Considering these factors, there really was no other option than to keep the men close. The objective in combat is to impose one’s will on the enemy, and with black powder muskets the only way to generate enough firepower to physically stop a body of enemy troops from doing something was to form up tightly, get close, and “pour it on.” In most cases a high proportion of troops under fire from enemy musketry survived, although there were cases when units taken by surprise or poorly handled were annihilated. (Teaser: in my upcoming novel, A Nest of Hornets, a British grenadier company meets this fate at the Battle of Spanktown).

Battle_of_bunker_hill_by_percy_moranHaving said all that, combat in North America was different from combat in Europe. In the Americas distances were greater, troops less numerous, the ground more broken, and cavalry less prevalent. These factors forced commanders on both sides to adapt their tactics: there is compelling evidence that units on both sides adopted open formations, with up to a yard between soldiers, and also employed double, rather than triple lines. These adaptations made formations less vulnerable to incoming fire and enabled them to cover more ground. At Bunker (Breed’s) Hill in 1775, for example, the British used tight formations and attempted to trade volleys with the American militia, who fought from behind breastworks. As a result they suffered staggering casualties. They also learned to rely on bayonet charges. Their third attack at Bunker Hill was carried out with bayonets only, and succeeded. The British took this lesson to heart.

Starting with the Battle of Long Island the standard British tactics involved approaching to just within rifle range of American units and then rapidly closing the distance (often at a jog) until they could deliver a bayonet charge. This tactic served them well until the Continental Army gained enough experience and training to meet the British in the open field on something approaching equal terms. At Saratoga (1777) and Monmouth (1778) the Continentals proved that the British could no longer rely on the bayonet to always carry the day. But it would take three more years of bitter fighting until the Continentals and their French allies decisively proved the futility of the British cause at Yorktown.

 

The Ins and Outs of Editing

A Nest of Hornets is with my editor, Ashlee Enz! Her efforts are critical to the novel’s success, but they are only one layer of editing. I have found the editing process to be a multi-phased operation.

When I write a first draft it tends to be in fits and starts. Occasionally I will get a good couple of uninterrupted hours to write, and when I do I try not to get hung up. If something isn’t quite right, I often just move on, planning to fix it “in editing.” Oftentimes I find myself tapping out a scene or patch of dialogue using the “notes” function on my phone, and then I email it to myself. Either way, this can result in the ROUGH DRAFT being VERY rough, so my first phase of editing is to go back through my manuscript on my computer to correct glaring typos and smooth out the flow.

Now I have DRAFT 1. It is still a little rough around the edges but a least is fairly coherent. I then try to take a break for a week or two. After the break, coming back fresh, the next step is to print out the manuscript and read it, pen in hand. I find reading a paper copy to be a very different experience from reading on a computer monitor; I tend to find more missing words and typos, but I also get a better feel for the narrative flow. I use pen and ink to mark issues and jot down corrections. If I am uncertain about something, I will often read it aloud; verbalizing reveals flaws that would otherwise remain hidden. This is also the stage at which scenes tend to get added or deleted, and paragraphs shuffled around. Once I am through with the printed work, I do the tedious work of going page by page in hard and soft copies, transferring edits from page to digits. I hate this part, but it is critical to success. By the time this is done, we are ready for the editor.

DRAFT 2 goes away to the editor. For a short time I clear my mind of the current book while the editor does her magic. When I get the edited copy back it is full of proposed revisions, which I go through one-by-one. With Times That Try Men’s Souls I think I accepted about 99.5% of Ashlee’s recommended changes: a good editor is priceless!

Now I have DRAFT 3. But we’re not done! There are three critical steps left, not necessarily done in this order:

  • Expert consultation. My son is in the target age group. I prefer him to read a draft to make sure I am on track. I the case of A Nest of Hornets there is also a bit of swordplay, and my son is a talented fencer, so I counted on him to make sure I got the technical and tactical bits right.
  • More expert consultation. My wife has been incredibly supportive of my writing, and I value her feedback. Her approval is critical.
  • One last read. I look through the manuscript one more time before identifying a FINAL DRAFT. This is the version that goes to Createspace or the publisher.

Once the publishing process begins, we can talk marketing. On the other hand, that next book in the series is so shiny…

Gideon Hawke Novels Facebook page: https://m.facebook.com/GideonHawkeNovels/

Clean Edits Website: https://editorash.wordpress.com/

Update: A Nest of Hornets

A Nest of Hornets is moving right along!

The third novel in the Gideon Hawke series is set in New Jersey in the winter of 1777. The action includes several skirmishes from the “Forage War,” during which the Continental Army and militia forces harassed, and in some cases outright defeated, British efforts to collect food and forage from the New Jersey countryside.

This novel is a bit different from the two prior books (This Glorious Cause and Times That Try Men’s Souls) in a few ways:

  • It is more relational. We spend more time with Gideon and Ruth. The reader will find more about their characters, and the ways in which they complement each other.
  • It is a little darker. Times That Try Men’s Souls covered some bleak times in both the Revolution and in Gideon’s state of mind, but A Nest of Hornets explores themes of temptation, division, and betrayal.
  • It is historically less precise. Not that I didn’t try! Many of the actions described in Spanktown Marker smthe book are “historical footnotes;” for example, there are no historical parks dedicated to the actions at Quibbletown or Spanktown (good luck even finding those place names on a modern map). There was a bit more estimation, guesswork, and artistic license involved in developing those chapters.
  • You don’t know how it ends. Cause and Times were centered on well-known historical events. The main plot line of A Nest of Hornets is less clear cut, and the climax may come as a bit of a surprise.

Hopefully by now you are looking forward to reading it. The good news: that time is drawing nearer! I am done editing the First Draft; The Second Draft goes to the editor this week!

Then, as I wait patiently, I can focus on the yet to be named Gideon Hawke #4. I can’t tell you much about it, except to say that in a few weeks I hope to visit the Saratoga National Historical Park.

Gideon Hawke Novels Facebook page: https://m.facebook.com/GideonHawkeNovels/